March 3, 2011, 10:28 am
Openwear.org (Zoe Romano + Bertram Niessen) interview about DIY Craft / Fashion Microproductions
Categories: Open Design
Tags: Business/Service, DIY, Fashion Design, Hand-craft, Interview, Italy, Microcredit, Open Culture
Openwear is the new open source concept and community in course of developing by EDUfashion, a two-year project for the development of a collaborative platform for fashion creation and continuous education emphasizing skill-sharing and ethical branding. It is born out of the collaboration of Poper - a social communication studio based in Ljubljana – Ethical Economy – the company based in London providing web tools to build ethically significant relations, and 3 universities from Italy (Faculty of Political Science in Milano), Slovenia (Faculty of Natural Sciences in Ljubljana) and Denmark (Copenhagen Business School).
In Openwear’s online space, small fashion producers, designers, stylists, students, interns,tailors, photographers, models, crafters, sewing cafes, silk-screen printers, fashion schools and others will all be able to open their own web space and personal profile, have access to the service and tools made available by the community, network, learn but also take part to the first collaborative, peer-produced, open-source fashion brand and its collections.
For the first time, the result of the innovative process of crowdsourcing will not be owned by a particular firm or company because the owners will be the community itself.
In this post I’m going to interview two of Openwear’s members, Zoe Romano and Bertram Niessen.
Massimo Menichinelli: The phenomena of Open Hardware, DIY and Makers have reached a remarkable level of development, fame and reputation. Perhaps less famous but equally important is the phenomenon of DIY craft and craft / fashion micro enterprises that are often visible on platforms such as Etsy. What are the differences and similarities between these phenomena and how do they relate to each other?
Zoe Romano and Bertram Niessen: All these new scenes have in common a desire to empower understanding what they have in their hands, how it was made and improved. This desire blurs the distinction between producers and consumers, not in the sense that everyone will make everything they need, but that everyone more and more often will able to produce or design something and make it available in a flux of exchange out of which everyone could benefit.
Both phenomena are related with crucial changes that are undergoing in our social and economical environment. The Peak Oil calls to 0 Km chains of production. The rise of 2.0 social networks, mixed with the spreading of p2p communities, encourages new forms of global/local communities of producers and consumers. New technologies in communication and material production foster distributed manufacturing.
The difference is that DIY crafters sometimes have the tendency to perceive themselves more far away from technology because of their handmade pledge. It’s more a problem of cultural background. But as long as they envision the possibilities of new on-demand machines, they realize how craftsmanship could be revolutionized without loosing its soul.
Massimo Menichinelli: Right now, which are the most common business models among the cases of DIY craft and craft / fashion micro enterprises?
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